September 2018: One can never have enough socks

FFS - famous first socks

FFS - famous first socks

Hi there,
this newsletter will combine a few snippets I let fall in earlier writings or somewhere on my website with a topic which is very important to me and worth a few thoughts.
Laying next to me are these socks.
Yes, they are well past their prime: They are pilling, the toe decreases opened up, there are dog hairs on them I can’t get rid off and discolouration and they are worn out and won’t stay on my feet. Why do I keep them?
Well, these are my famous first socks. If you didn’t hear their story before, here it is again (feel free to skip it if you can’t hear it again :-)): I learned to knit in school in 1993. After practicing a few stitch patterns we were given a project: The beginners were supposed to knit a scarf while pupils who had learned to knit before then should make socks. I was an easily bored and very lazy teenager back then but clever as well. I thought that I’d never manage to knit a scarf long enough for my taste without getting seriously bored but I quickly saw the advantages of knitting socks:
When you reached the halfway point of the project, you’d already have a finished sock (a so-called HO but I learned that expression more than 30 years later).
You could identify different parts, so you could see milestones: leg, heel, foot, toe.
It was much less knitting than a scarf.
So I decided I wanted to knit socks despite being a beginning knitter. I asked my teacher and she was convinced by my sampler that I could do it and I was allowed to knit socks as my very first project. My mother and I went and bought a set of double pointed needles (dpns) and this wonderful purple (my very favourite colour back then, I was in my purple period :-)) Regia sock yarn. I had fun knitting these and I didn’t find it difficult. Our teacher only explained the next step if all of us had finished the last step. I remember that I borrowed another set of needles from my mother to start my second sock because not everyone was finished with the leg the I was. It was the time of 50g balls and my mother is a knitter too so that wasn’t a problem.
The rest is history. I loved knitting the socks, they fitted well and I wore them all the time for at least 10 years which is reflected in their condition. I got the best grade for them as well (which was a rare thing for me). A new sock knitter was born and for the next 10 years I almost exclusively knitted socks. (All for me by the way: If I put all that effort in, then I wanted to keep and wear the results.)
My first project included things which are regarded as difficult by many knitters: Knitting socks, i.e. knitting in the round and doings this with dpns, turning a heel.
Instinctively, I followed a set of guidelines which still inform my knitting. My first impulse was to say that the reason for this sock-knitting experience was that I didn’t know better back then but that isn’t true. I was a teenager and had encountered many problems before so that I didn’t believe that things would always work out no matter what anymore. I had heard often enough that I wasn’t hard-working, careful or neat enough, especially if it came to crafts and handwriting.

However, here are my guidelines (formulated for knitting but they fit with most things you can do):
* Don’t be afraid, it is only knitting.
* Knit what you want to knit, not what other people think you should knit at your stage of your knitting journey. It is your journey.
* If you want to knit something, you can and will manage it. If it doesn’t look like you wanted it to look like, try again. You can always start again.
* Don’t limit yourself. It is only yarn and needles.
* Look for milestones and break down a bigger project into manageable smaller parts.
* Just start. Even if you don’t understand a particular instruction at first, more often than not it will be clear when you come to that point in your knitting.
* It hasn’t to be perfect. Small imperfections make the finished piece even more wonderful.
Decide what you can live with and make up a missing stitch or just knit two stitches together if there is somehow one stitch missing. Decide what you can’t stand, rip it back or repair a wrongly crossed cable several cm down which takes you longer than knitting it all again (guess how I know) and start over.
* There is always a book or a person to help you along.

Of course, some of these guidelines get easier if you get more experienced but from my example you can see that even as a beginner I followed most of them.
I think it is sad to limit oneself in something which should bring joy and is done not out of necessity but because you want to do it. If you’re happy knitting a selection of patterns, using a selection of techniques and knitting with a selection of well-know yarns (for example), that is great. But if you dream about shawls, socks, jumpers, cardigans, blankets, patterns, yarns….: go for it and just start. You’ll manage.
Around 1999/2000 a friend bought a sweater I liked a lot. It was knitted in cotton yarn and had bell sleeves and rolled cuffs. I didn’t buy one for myself but I had cotton yarn from another project I didn’t like and ripped back. I had never knitted a sweater because that was what my mother did. She knitted all my sweaters when I was a child and teenager and even when I was a student I got sweaters knitted to my exact specifications. I thought that she could knit anything. And though I now know that she had her own pattern in her head and only changed colours and stitch patterns, she made my dream sweaters happen. Back to that sweater of my friend: Since I had just seen my mother knit an Icelandic yoked sweater in one piece from the bottom up, I decided I could knit a copy of my friend’s sweater as there wouldn’t be any sewing which I hated at that time of my life. I started knitting and made the pattern up as I went along: I wanted it wider at the hem (rolled hem which meant no purling too) so I decreased after a bit. I only knew one type of decreases which are very obvious and not the best choice but that didn’t matter to me. I increased again for the bust, knitted the sleeves with glorious bells, put it all together after asking my mother which stitches to knit and which I needed cast off at the underarms and decreased again until I had a suitable number of stitches for the neck. When I was at the yoke/ decreasing stage my mother told me I should have used another decrease but I didn’t want to rip it all back and decided I could live with it. Because it was cotton yarn there are holes at some decrease points but it didn’t matter. I was proud of my first sweater and still am. And I even still wear it.

In the next weeks my very first knitting pattern will be published. The sample was knitted in summer 2017, the pattern was written and edited (of course I use a tech editor) in March 2018, it is being test knitted as we speak and it is going to be published soon. It is a simple colourwork cowl so why did it take me so long? Easy: I was held back because I thought negative thoughts and didn’t apply my knitting guidelines to my designing. (There are two more patterns in the pipeline which didn’t take that long so I might be on a good way.)

If you think your might limit yourself in your designing (or your knitting if you aren’t a designer), please don’t hesitate to ask. I’m sure we can work something out. I was always good at cheering other people on and I really like working with designers to make the patterns for their designs shine. I have room in my editing calendar for new designers and those of you I worked with before, for new and experienced designers, for shy and bold designers…. You’re all welcome :-)

Talk soon,

Frauke x

August 2018: My Bookshelf: Beginner’s Guide to Transfiguration

Hi there,
did I tell you that I have a list for newsletter topics for more than a year? yes, preparation is everything. If I were bored, I could write them months in advance. Or I could knit. So much to being prepared.
So, how many of these topics did I use until now? One if I remember correctly. Among these topics there are a few which should be called “ongoing series”. And you probably guessed it: This is the first instalment of one of those.
My goal is to introduce you to the books I use for my editing work. These could be useful to you as well, don’t you agree?
Whenever I get interested in a new topic or I want to learn something new, I start searching for a book about that. This means that I have an extensive library, especially for knitting: reference books, stitch dictionaries, pattern books; classics, the newest-of-the-new, basics, new techniques or trends - all there. And since I started working as a tech editor, these are tax deductible too. I need them for work, don’t I?
Since I moved here, I have a separate shelf for my crafting books but one or two books live on my desk because I use them so much.

The most used book from my knitting library is Kate Atherley’s “The Beginner’s Guide to Writing Knitting Patterns - learn to write patterns others can knit”, for short “Beginner’s Guide to Transfiguration” (in my family).

From the introduction:
”how to translate your great knitting project into a set of instructions that any other knitter can follow.
I provide concrete guidelines, with lots of examples, on topics including:
what informations needs to be included in a knitting pattern
How to properly and clearly communicate sizing and measurement information
What schematics are, why you need them, and how to create them
Zwo to use charts and written instructions to express special pattern stitches such as cables and lace
Stitch nomenclature (especially related to cables), abbreviations, and glossaries
How to handle multiple sizes and versions
Use of brackets and * to indicate repeats
How to establish a personal style sheet
And much more.”

The “much more” includes formatting and layout, the process of writing, editing and publishing a pattern, selling your pattern and copyright.

The book doesn’t explain how to get creative and come up with a design or how to get the idea out of your head and onto your needles. But it shows the practical side of the process. Of course, it isn’t complete, you can’t learn how to grade from it, for example, but you get an introduction and tips how to proceed from there.

What I love about this book is that it gives you structures from where you can start or improve your process as a designer. It explains the structure of the designing process which gives you a outer frame in which to work. You can easily build a to do list to guide you through the process and manage a design project, starting with an idea, ending with a published pattern.
But this guide gives you the structure for an individual pattern as well. You can use it as a template to fill in. It provides a framework for writing the pattern for your wonderful design. You don’t need to sit before a blank page and start with inventing the wheel each and every time. There are a basic pattern template and lists of abbreviations and standard terms as well as a glossary included. And for that alone it is worth its money.

This guide is more helpful for a budding designer but it can be useful to streamline your process as an experienced designer as well. It can help you write patterns of a consistent quality and may show possibilities for branding as well.

The book itself has a great structure which makes it easy to work with. As well as the afore-mentioned lists there are useful tables strewn in throughout the book: needle sizes, the U.S. standard numbering system for yarn, a cable stitch format summary and many more.
And what I like best: There are clearly marked examples and tips on every topic as well as opinions of knitters on several questions. You can write the perfect (from a technical point of view) pattern but the knitter has to like and understand it because they won’t buy a pattern (or a second pattern) if they don’t. I know, I’m a very critical consumer of knitting patterns and have a list of designers I won’t buy a pattern from ever again :-)

The boring details if you want to check it out for yourself:
Kate Atherley 2015: The Beginner’s Guide to Writing Knitting Patterns. Interweave, imprint of F+W Media, Inc. (ISBN-13: 978-1-63250-434-0).

Frauke x

P.S.: I never forget the knitter’s view while editing a pattern. So if you have a pattern ready for editing, don’t hesitate to ask for a spot on my editing schedule :-)

April 2018: Elsie, Oliver Inchbald and me - about names

Hi there,
welcome to my brand-new newsletter!
This is the first issue of the Urban Yarning Newsletter so you didn’t miss anything.
I want to talk a bit about Urban Yarning and how it came about to ease us into it. I have a whole list of themes for the next months but if you want me to talk about anything in particular just let me know.
Let’s start with the name, shall we?
My name is Frauke Urban as I am sure you already know. When I was looking for a name for my business, I knew I wanted to use my family name because it is too good to let it go unused. Because I have a lot of ideas what I could include in this business and I wanted a name which could work with all these ideas, I decided to use a more general name and have a second line with the specific description of the hat I’d be wearing in that part of the business.
One of the things I like a lot is language and words and playing with that. So it didn’t take me long to come up with yarning. And actually, I didn’t really. To quote Elizabeth Zimmerman, I think I unvented it. I know the term urban yarning is used as a synonym for yarn bombing in some countries. And I don’t object to that connotation so I claimed the name.

And then I stumbled upon this quote:
”To Elsie”, it said, “with love and yarning.”
And it was signed, in mauve ink, by the author: Oliver Inchbald.
Elsie? Who on earth was Elsie? And what could yarning mean? Storytelling? Yearning? Or did Oliver Inchbald and Elsie used to knit together?
Alan Bradley: Thrice the brinded cat hath mew’d, a Flavia de Luce Novel

Isn’t it perfect? I mean, we do tell stories with our knitting and designs as well as knit together :-) And a bit of yearning for yarn and knitting is always present in our lives, isn’t it?

From the knitter’s point of view, there is always a story we want to tell about ourselves, about circumstances, about our life. This informs the designs we choose to knit.
As a designer, you are even more involved with the stories you want to tell. You are creative and can translate these stories into knitting and design stories with yarn.

As a tech editor, I am here to help make your story shine in your pattern. I can give you a hand and my brainpower to make your pattern clear, concise and easy to understand so that every knitter can follow the story of the design.

My background is in science. I wrote my dissertation about how to use historical data for the prediction of agronomical traits for breeding purposes in winter barley. Don’t panic, there are about two or three people (including me, excluding my supervisor) who know exactly what I did and why :-) I will tell you that much: It involved a lot of numbers, statistical modeling and no plants at all. I only mention this to show you that I can - and even like to - work with numbers. I am thorough and work methodically. I am well organised and know how to write a clear text. I would link to my thesis but it is in German (except the summary) so that wouldn’t help much for most of you. (Search for Frauke Urban, Gießen, Dissertation and you’ll find it, if you’re interested.)

All this helps me in making your work easier. I can make sure knitters from all countries enjoy working from your pattern, that they’ll see the story you want to tell. I think it is actually an advantage to work with a non-native English speaker on your patterns. I can make sure that everybody will understand your story. And since the knitting world is, like the science world, international, it is a smart move to make sure your stories are understandable everywhere.

If you want the both of us starting to tell the stories of your designs together, please contact me and ask for an estimate.
Since my story is on the first pages, meaning my business is still growing, I have spots for new clients.

Talk soon,
Frauke x

What this is

Hi there,

you might be subscribed to it or you probably noticed while on my website that I have a monthly newsletter.

Sometimes it’s just chatter, sometimes it’s time-sensitive - but sometimes I write about stuff which keeps its importance over time.

I planned for a while now to make those newsletter available and that’s what this is: a newsletter archive. It might morph into a “real” blog over time - we’ll see.

So, if you found your way here: poke around and maybe you might find something useful or you might be entertained for a bit or even both :-)

Have fun!

Frauke xx